An die Nachtigall. Ludwig Christoph Heinrich Hölty. Geuß nicht so laut der liebentflammten Lieder. Tonreichen Schall. Vom Blütenast des Apfelbaums hernieder. Brahms’s settings of the Hölty poems An die Nachtigall and Die Mainacht have unjustly eclipsed Schubert’s songs to the same texts. It is not hard to understand. Johannes Brahms. Songs (4) for voice & piano, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook.

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This set, as well as the Lieder of Opus 47 through Opus 49 come from a difficult time in Brahms’ life.

Editor Eusebius Mandyczewski It is not hard to understand the popularity of the Brahms works, rich in sentiment and romantic nostalgia, but the two composers were aiming at completely different things.

Go to the text. Add comment Leave your comments Post comment as a guest Name Required: Edition Petersb, n.

Fly, nightingale, off into the green darkness, Into the bushy grove. Growing in tempo until the end of each verse’.

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Jazz Latin New Age. Dann flieht der Schlaf von neuem dieses Lager, Ich starre dann. Do not pour out so loudly the sonorous strains of passionate love-songs from the blossom-covered boughs of the apple tree, O nightingale! Of course it could also be that in this warbling rush of notes Schubert is attempting to depict, in a manner pre-dating Messaien, navhtigall actual song of the nightingale as he heard it.


Songs (4) for voice & piano, Op. 46

Contents 1 Performances 1. Submit Comment Agree to terms and condition. Editor Max Friedlaender Available translations, adaptations or excerpts, and transliterations if applicable: For more information, contact us at the following address: Javascript is required for this feature.

An die Nachtigall, D First line:. One is irresistibly reminded of the mad Lisztian outbursts, in the key of F sharp minor this song’s original tonalitynachtjgall the slow movement of the A major Piano Sonata, D Fly, nightingale, off into the green darkness, Into the bushy grove. Reissue after – New York.

Liederabend – SV16 – An die Nachtigall

Perhaps for these reasons the songs of this period are derived mostly from earlier works. We use cookies to improve our website and your experience when using it Learn more. The song is marked ‘Restless, plaintive. We talked about di composers Hamburg, bei Carl Ernst Bohn. Retrieved from ” http: Copyright infringement is a criminal offense under international law.

The accompaniment is no less inventive. Lieder Complete EditionVol.

There is something in his genial and gentle work, ambivalent in both joy and sadness, which perfectly matches Schubert’s own temperament. Duets with Keyboard 3 Duets, Op. Romantic Evening Sex All Themes. This website began in as a personal project, and I have been working on it full-time without a salary since Our research has never had any government or institutional funding, so if you found the information here useful, please consider making a donation.


He had recently left Hamburg, haven given up hope of a permanent position there, his mother had died inand his Requiem, which had been performed in part inwas not well received.

An die Nachtigall | Oxford Lieder

Edition transposed for Low Voice Scanned at dpi, cleaned with 2-point algorithmadditional manual cleaning. Ziemlich langsam E major. Brahms structured the Lied as a strophic, but only apparently: Please enable JavaScript in your browser to use the site fully.

Colour scan with digital watermark The plate number and unusual imprint suggest the first issue nachgigall have actually been Rieter-Biedermann or another publisher, with Simrock acting as agent for Prussia.